Resources
Bibliography
- Abello, Alberto; Bassi, Ernesto: “Un Caribe por fuera de la ruta de la Plantación,” Un Caribe sin Plantación (San Andrés: Universidad Nacional de Colombia, 2006),
- Affergan Francis: “Antropologie á la Martinique,” L’Homme et la Societé, Vol. 71, Issue 71–72, (Paris: Presses de la Fondation Nationale des Sciences Politiques, 1984).
- Aguirre Rojas, Carlos: Retratos para la historia: Ensayos de contrahistoria intelectual (La Habana: Ediciones ICAIC, 2010).
- Alcazar, Annabelle: “Wanted: Caribbean Film Investors with Imagination,” Caribbean Beat, Issue 30, March/April 1998.
- Ali, Jonathan: “Riding the New Wave of Caribbean Cinema,” Caribbean Beat, Issue 105, September/October 2010.
- Anderson, Benedict: Imagined Communities: Reflections on the Origin and Spread of Nationalism (London: Verso Books, 1983).
- Anteby-Yemini, Lisa and Berthomière, William: “Diaspora: A Look Back on a Concept,” Les diasporas: 2000 ans d’histoire (introducción al libro), (Rennes: Presses Universitaires de Rennes, 2005).
- Archer, Melanie: “Stories for the Eye,” (profile on filmmaker Juan Francisco Pardo) Caribbean Beat, Issue 122, July/Aug 2013.
- Aumont, Jacques; Bergala, Alain; Marie, Michel; Vernet, Marc: Estética del Cine: Espacio fisico, montaje, narracion, lenguaje (Barcelona: Ediciones Paidós, 2008).
- Bakari, Imruh: “Horace Ové: Living with Pressure,” Black Filmmaker, Vol. 1, No. 4, December 1998.
- Barthes, Roland: La Chambre Claire: Note sur la photographie (Paris: Cahiers du cinéma Gallimard Galimard, 1980).
- Basdeo, Amrita: “Indian Cinema in Trinidad: Role and Impact,” Caribbean Studies Thesis, University of the West Indies, St. Augustine, 1997. [See also: Niranjana, Tejaswini: Mobilizing India: Women, Music, and Migration Between India and Trinidad (Durham: Duke University Press, 2006)
- Best, Curwen: Culture @ the Cutting Edge: Tracking Caribbean Popular Music, (Kingston: University of the West Indies Press, 2004).
- Bogle, Donald: Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretative History of Blacks in American Films (New York: Bantam Books, 1974.
- Bosh, Juan: De Cristobal Colón a Fidel Castro: El Caribe, Frontera Imperial (La Habana: Editorial Ciencias Sociales, 2007).
- Brathwaite, Edward Kamau: History of the Voice (London: New Beacon Books, 1984).
- Breitman, George: “In Defense of Black Power,” International Socialist Review, Jan-Feb 1967.
- Carpentier, Alejo: “Lo que el Caribe ha dado al mundo,” El Correo de la UNESCO, Diciembre 1981, Año XXXIV.
- Chailloux Laffita, Graciela: “British Subjects y Pichones en Cuba,” De dónde son los cubanos, (Havana: Editorial de Ciencias Sociales, 2005).
- Cham, Mbye (ed.): Ex-Iles: Essays on Caribbean Cinema (Trenton: Africa World Press, 1992).
- Cham, Mbye and Claire Andrade-Watkins: Blackframes: Critical Perspectives on Black Independent Cinema, (Cambridge: MIT Press, 1987).
- Clifford, James: “Diasporas,” Cultural Anthropology, Vol. 9, No. 3, August 1994.
- Combs, Richard: “The Right and the Wrong,” [review] Monthly Film Bulletin No. 38, 1971.
- Condé, Maryse: Yo, Tituba, la Bruja Negra de Salem (La Habana: Fondo Editorial Casa de las Américas, 2010).
- Cooper, Carolyn: Noises in the Blood: Orality, Gender and the “Vulgar” Body of Jamaican Popular Culture (London: Macmillan, 1993).
- Dabydeen, David: “The Black Figure in 18th-century Art,” November 2010.
- Del Río, Joel; Cumaná, María Caridad: Latitudes al margen: el cine latinoamericano ante el tercer milenio (La Habana: Ediciones ICAIC, 2008).
- Ellis, David: “The Produce of More Than One Country: Race, Identity and Discourse in Post-Windrush Britain,” Journal of Narrative Theory, Vol. 31, No. 2 (Summer, 2001).
- Fanon, Frantz: Piel Negra, Máscaras Blancas (Buenos Aires: Schapire Editor, 1974).
- Fanon, Frantz: The Wretched of the Earth (trans. Constance Farrington) (New York: Grove Weidenfeld,1963).
- Fornet, Ambrosio: Las Trampas del oficio: Apuntes sobre Cine y Sociedad (La Habana: Ediciones ICAIC, 2007).
- Fornet, Ambrosio: Narrar la Nación (La Habana: Editorial Letras Cubanas, 2009).
- Fraginals, Moreno Manuel: El Ingenio (La Habana: Ciencias Sociales, 2014).
- Fraginals, Moreno Manuel: “La plantación, crisol de la sociedad antillana,” El Correo de la UNESCO, Diciembre 1981, Año XXXIV.
- García Espinosa, Julio; autores varios: A cuarenta años de Por un cine imperfecto, Cinemateca de Cuba (La Habana: Ediciones ICAIC, 2009).
- Getino, Octavio: Cine Iberoamericano: Los desafíos del nuevo siglo (Buenos Aires: Ediciones Ciccus, 2007).
- Givanni, June: “Horace Ové: Reflection on a Thirty-Year Experience,” Black Film Bulletin, Vol. 4, No. 2 (Summer 1996).
- Givanni, June: “Les Reines du Dancing / The Queens of Dancehall,” Ecrans d’ Afrique, No. 21/22 (3rd-4th quarter), 1997.
- Glissant, Édouard: El Discurso Antillano (La Habana: Fondo Editorial Casa de las Américas, 2010).
- Griffith, Fitzgerald: “Film and Censorship in Trinidad and Tobago, With Reference to Bim: A Case Against Censorship” Caribbean Studies Thesis, University of the West Indies, St Augustine, 1978.
- Hall, Stuart: “Cultural Identity and Diaspora,” (essay) 1996.
- Higson, Andrew: Waving the Flag, Constructing a National Cinema in Britain (Oxford: Clarendon Press, 1997).
- Hulme, Peter: “Islands of Enchantment,” New Formations, No. 3 (Winter 1987).
- Jacobs, Carl: “Trinidad’s Pioneer Movie-Maker,” Sunday Guardian, November 29, 1970.
- Kangalee, Gerry: “Out of Pain this Culture was Born,” Pan Aficionados, August 21 2008.
- King, Bruce: Derek Walcott and West Indian Drama (Oxford: Clarendon Press, 1995).
- Lamming, George: Los Placeres del Exilio (La Habana: Fondo Editorial Casa de las Américas, 2007).
- Lampolski, Mijaíl: “La Teoría de la Intertextualidad y el Cine,” El pensamiento cultural ruso en criterios, (La Habana: Centro Teórico Cultural Criterios, 2009).
- Leonce, Helena: “Shared Memory: East Indian Immigration,” November 2010.
- Lewis, Rupert: “Marcus Garvey’s Global Vision,” Revista Anales del Caribe, Casa de las Américas, 2007.
- Lieber, Michael: Street Life: Afro-American Culture in Urban Trinidad (Cambridge: Schenkman Publishing Co, 1981.
- Macedo, Lynne: “The Impact of the Indian Film in Trinidad,” The Society For Caribbean Studies Annual Conference Papers, Courtman, Vol. 3, 2002.
- Malcom, Derek: “Pressure,” The Guardian, February 16, 1978.
- Mallo, Silvia: “Mujeres esclavas en América a fines del siglo XVIII: una aproximación historiográfica,” Buenos Aires, Enero 2011.
- Manuel, Peter; Bilby, Kenneth; Largey, Michael: Caribbean Currents: Caribbean Music from Rumba to Reggae (Philadelphia: Temple University Press, 1995).
- Mast, Gerald: “Literature and Film,” Interrelations of Literature (JP Barricelli and J Gibaldi, eds.) (New York: Modern Language Association, 1982).
- Miccichè, Lino: “Teorías y poéticas del nuevo cine,” Cine Cubano, No. 170, 2007.
- Muñiz Ivón: “Más que pieles negras: Apuntes sobre el Cimarronaje Cultural en el Arte Caribeño Contemporáneo,” Anales del Caribe (La Habana: Centro de Estudios del Caribe, Casa de las Américas, 2007).
- Nair, Supriya: “Expressive Countercultures and Postmodern Utopia: A Caribbean Context,” Research in African Literatures, Vol. 27, Issue 4 (Winter 1996).
- Nettleford, Rex: “The Caribbean’s Creative Diversity: The Defining Point of the Region’s History,” Foundation: The Arts & Culture Journal of the Cayman Islands, Vol. 1, No. 1. See also: Nettleford, Rex: “Multiculturalism, the Arts and Nation-Building,” Foundation: The Arts & Culture Journal of the Cayman Islands, Vol. 2, No. 1 & 2.
- Norris Christopher: Deconstruction: Theory and Practice (London and New York: Methuen, 1982).
- Notario, Luis; Paddington, Bruce: Explorando el Cine Caribeño (La Habana: Ediciones ICAIC, 2011).
- Ortiz, Fernando: “Los viejos carnavales habaneros,” Estudios etnosociológicos (La Habana: Editorial Ciencias Sociales, 1991).
- Otero, Lisandro: “El neorrealismo italiano: la influencia social del cine,” Cine Cubano, No. 182, Oct/Nov 2006.
- Ové, Horace; Buckler, Robert: “Unseen film,” Daily Mail, September 4, 1976.
- Paddington, Bruce: “Where Have All the Movies Gone?” Caribbean Beat Vol. 4 (Winter 1992).
- Paskin, Sylvia: “Going to Meet the Man,” Monthly Film Bulletin, Vol. 54, No. 647, December 1987.
- Pérez Cuza, Yeiniela: “Isuama y Olugo, lo que la música descubre,” Clave, Año 10, Número 1-2, 2008.
- Pines, Jim: Representation and Blacks in British Cinema (London: BFI Education, 1991).
- Pines, Jim; Willeman, Paul (eds): Questions of Third Cinema (London: British Film Institute, 1989).
- Rugg, Akua: Brickbats and Bouquets: Black woman’s Critique, Literature, Theatre, Film (London: Race Today Publications, 1984).
- Rohlehr, Gordon: My Strangled City and Other Essays (Port Spain: Longman, 1992).
- Rony, Fatimah Tobing: The Third Eye: Race, Cinema, and Ethnographic Spectacle (Durham and London: Duke University Press, 1996).
- Sandapen, Sheila: “Being Black, Becoming British: Contemporary Female Voices in Black British Literature,” A Dissertation Submitted to the School of Graduate Studies and Research in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy, Indiana University of Pensylvania, August 2009.
- Santana, Astrid: “Memorias del Subdesarrollo y el ámbito de lo literario: Hacia una cartografía de la relación,” Cine Cubano, 173-174, Julio-Diciembre, 2009.
- Selvon, Samuel: The Lonely Londoners, (Port of Spain and Kingston: Longman Caribbean Limited, 1972).
- Sherzer, Dina, ed: Cinema, Colonialism, Postcolonialism (Austin: University of Texas Press, 1996).
- Shohat, Ella; Stam, Robert: Unthinking Eurocentrism: Multiculturalism and the Media (London and New York: Routledge, 1994). Also published as: Multiculturalismo, cine y medios de comunicación: Crítica del pensamiento eurocéntrico (Barcelona: Paidós, 2002).
- Stam, Robert: “Introduction: The Theory and Practice of Adaptation,” in Robert Stam, Alessandra Raengo (eds.), Literature and Film: A guide to the Theory and Practice of Film Adaptation (London: Blackwell Publishing, 2005).
- Stuempfle, Stephen: The Steelband Movement: The Forging of a National Art in Trinidad and Tobago (Philadelphia: University of Pennsylvania Press, 1995).
- Suvelor, Roland: “Elements Historiques pour une Approche Socio-culturelle,” Les Temps Modernes, Vol. 39, No. 441-442 (1983).
- Szczelkun, Stefan: “British Counter Culture and Film (1960s-70s),” Exploding Cinema 1992–1999 (PhD Thesis, RCA, 2002).
- Thelwell Michael: The Harder They Come (New York: Grove Press, 1980).
- Upczak, Emilie: “Audiovisual Production in the Caribbean Islands: New Looks,” Cubanow: The digital magazine of Cuban Arts and Culture, 2012.
- Upczak, Emilie: “Surreal Communion,” (Review of Eat, For This is My Body, directed by Michelange Quay) The Caribbean Review of Books, August 2008.
- Velleggia, Susana: La Máquina de la Mirada: los movimientos cinematográficos de ruptura y el cine político latinoamericano, (Santo Domingo: Editorial Búho, 2007).
- Vertovec, Steven: “Three Meanings of ‘Diaspora,’ Exemplified among South Asian Religions,” Diaspora: A Journal of Transnational Studies, Vol. 6, No. 3 (Winter 1997).
- Walcott, Derek: Nobel Lecture, December 7, 1992.
- Wambu, Onyekachi: “Black British Literature since Windrush,” Written to accompany the BBC Windrush season, Summer 1998.
- Warner, Keith Q.: On Location: Cinema and Film in the Anglophone Caribbean (London: Macmillan, 2000).
- Waters, Anita M.: Race, Class and Political Symbols: Rastafari and Reggae in Jamaican Politics (New Brunswick: Transaction Publishers, 1989).
- Williams, Eric: History of the People of Trinidad and Tobago (New York: Praeger Publishers, 1964).
- Wood, Yolanda: “Lo Colonial en la Arquitectura,” Las Artes Plásticas en el Caribe (La Habana: Editorial Félix Varela, 2006).
- Wood, Yolanda: “Arte, Religiosidad Popular y Transculturación,” Las Artes Plásticas en el Caribe (La Habana: Editorial Félix Varela, 2006).
- Yearwood, Gladstone L.: Black Cinema Aesthetics: Issues in Independent Black Filmmaking (Athens: Ohio University Press, 1982).
- Zobel, Joseph: Black Shack Alley (Washington, DC: Three Continents Press, 1980).
Film Associations
Film Commissions
Film Festivals
- 1261 Festival, Grenada—1261filmfestival.com
- Animae Caribe, Trinidad and Tobago— animaecaribe.com
- Backlot, Suriname—thebacklot.sr
- Bahamas International Film Festival, The Bahamas—bintlfilmfest.com
- Barbados Independent Film Festival, Barbados—barbadosfilmfest.org
- Barbados Visual Media Festival, Barbados—filmfreeway.com/BarbadosVisualMediaFestival
- Belize Film Festival, Belize—belizefilmfestival.com
- Bermuda International Film Festival, Bermuda—biff.bm
- Caribbean Tales Film Festival, Canada—caribbeantales.org
- Caribe Film Festival, Miami, USA—filmfreeway.com/CaribeFilmFest
- Cayman Islands International Film Festival, Cayman Islands—cayfilm.com
- CinéMartinique Festival, Martinique—tropiques-atrium.fr/cinemartinique
- Curaçao International Film Festival Rotterdam, Curaçao—curacaoiffr.com
- Global Film Festival Santo Domingo, Dominican Republic—festivaldecineglobal.org
- European Film Festival TT, Trinidad and Tobago—facebook.com/tnteff
- FEMI Guadeloupe International Film Festival, Guadeloupe —filmfreeway.com/FEMIGuadeloupeInternationalFilmFestival
- Festival Cine San Juan, Puerto Rico—festivalcinesanjuan.com
- Festival Internacional del Nuevo Cine Latinoamericano, Habana—habanafilmfestival.com
- Film and Folklore Festival, Trinidad and Tobago—filmfolklorefestival.com
- Fine Arts Film Festival, Puerto Rico and Dominican Republic—festivaldecinefinearts.com
- Green Screen Film Festival, Trinidad and Tobago—greenscreen.film/
- Hairouna Film Festival, St. Vincent and the Grenadines—hairounaff.org
- Haiti International Film Festival, Haiti—haitiinternationalfilmfestival.org
- International Film Festival Panama (IFF Panama), Panama—iffpanama.org
- International Festival of Documentaries from the Amazon and Caribbean (FIFAC), Martinique—festivalfifac.com
- Jamaica International Reggae Film Festival, Jamaica—filmfreeway.com/JamaicaInternationalREGGAEFILMFESTIVAL
- Libelula Dorada International Short Film Festival, Dominican Republic—filmfreeway.com/FICLD
- Loyola Film Festival, Guyana—loyolafilmfestival2014guyana.webs.com
- Lusca Caribbean International Film Fest, Puerto Rico—luscafilmfest.com
- NY Havana Film Festival, New York, USA—hffny.com
- Panama Canal International Film Festival, Panama—festivalcanpan.wixsite.com/canpan
- Panama Horror Film Festival, Panama—panamahorrorfilmfest.org
- Poinciana Arts Festival, Cayman Islands—poinciana.ky
- Rincón International Film Festival, Puerto Rico—rinconfilm.com
- St. Barth Film Festival, Saint Barthélemy—www.stbarthff.org/
- Third Horizon Film Festival, Maimi,USA—thirdhorizonfilmfestival.com
- Travelling Caribbean Film Showcase, Cayman Islands—artscayman.org/film/
- Timehri Film Festival, Guyana—timehrifilmfestival.com
- trinidad+tobago film festival, Trinidad and Tobago—ttfilmfestival.com
- Wadadli Short Film Festival, Antigua and Barbuda—wadadlishortfilmfestival.com
Film Schools
- Afro Punk—afropunk.com
- Caribbean Film Academy—caribbeanfilm.org
- Caribbean Film Academy, Guyana—caribbeanfilm.org/guyana
- Ciné Institute, Jacmel, Haiti—cineinstitute.com
- Belize Film Festival—belizefilmfestival.com
- Bermuda International Film Festival—facebook.com/cineinstitute
- College of Science, Technology and Applied Arts of Trinidad and Tobago—www.costaatt.edu.tt/
- Caribbean Tales Film Festival—costaatt.edu.tt
- Caribbean Travelling Film School, Trinidad and Tobago—facebook.com/Caribbean.Travelling.Film.School
- Curacao Film Institute—curacaofilminstitute.org
- Escuela Internacional de Cine y TV, Cuba—eictv.org
- Fundación Global Democracia y Desarrollo, Dominican Republic—funglode.org
- The Travelling Film School, Cuba—thetravelingfilmschool.com
- University of Trinidad and Tobago—u.tt
- The University of the West Indies at St. Augustine, Trinidad and Tobago—sta.uwi.edu
- The University of the West Indies at Mona, Jamaica—mona.uwi.edu
- The University of the West Indies at Cave Hill, Barbados—cavehill.uwi.edu